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Forum: Screen Printing - Talk about the many facets of screen printing, including business, equipment, and techniques.
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#1
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Hello
I have a lot of question about screen print . Sorry for my orthography . i don't speak fully English I am really new on screen print I use to use hand cut stencils (green an red ulano) to do screen print . I learn a few things in youtube about emulsions Now i trying to do it with these Emulsion - Saatichem Textil PV . I have a few concerns . first is good, I have to be on fully dark to put the emulsion. What type of color bulb, if could use How long i need it to let it dry Works with plastisol and aquaprint inks thanks Guille_507 |
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#2
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i have used a ton of different types of emulsions,from autotype, to unlano, to cromaline, several brands that were privately labeled by suppliers, the Saatichem Textil PV is now my fave. i was about to spend the extra money to switch exposure units to a metal halide version light source to help speed things up but i was talked into trying the textil pv and found that it cut my expose times down dramaticly, if i use laser film which is cloudy like vellum i can expose a white mesh in 4 mins, if i go completely clear inkjet film 2 mins in white mesh. yellow add a min to two mins two each instance. i currently use the point 1000 by workhorse for exposing which is a 1000 watt halogen bulb, not the best out there but i got a great deal on it and now using this pv emulsion spending almost 4,ooo bucks to go into a different exposure unit to gain 1 minute isnt worth it to me. ive also noticed that using the textile pv emulsion i shot a 5 color simulated process job on 155 yellow mesh screens with a frequency of 50 and this emulsion actually held those dots on that big mesh, other emulsions wouldnt hang with that and you would lose your image. i hope some of this helps, sorry for the bad spelling and all but you know how that goes,
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#3
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Hey Guille, I use Murkami's Aquasol HV which (in my opinion) is THE MOST durable emulsion out there. I coat the screens in a "darkroom" that has a red light bulb for visibility. One coat on the outside - flip the screen 180º to the squeegee side and apply one more coat of emulsion. I use a small plastic scraper to remove the excess emulsion that is along the sides where the emulsion applicator over flowed a bit. I dry the screens squeegee side up in the (dust free) dark room at 80º for about ½ hour, or until I can touch the coated screen and feel that the emulsion is hard and dry.
My light table has a 1000w halogen bulb and I expose my 156 mesh screens for 5 minutes and 50 seconds which allows me to have my half tones to remain intact with sharp definition. J.R. Sanford Production Manager NW Awards 185 NW Chehalis AV Chehalis, WA 98532 (shop) 360-748-7346 (cell) 360-880-6384 jr_sanford@yahoo.com
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